An award-winning animator attempts to approach career success, it turned out to be a long-term journey of searching for his own identity and the happiness of life.


SYNOPSIS

Wenchung Lu, a stop-motion animator, specialized in puppet animation, has won several international animation awards and a nominee for Student Academy Awards. For the past decade, Lu was all about making the “first” Taiwanese puppet animated feature “Otto”, a story of a young boy, Otto, who lost almost everything and even his life, was rescued by a scientist and changed Otto’s organs to mechanical ones. Otto becomes a hero to fight for his lost family.

Back in Lu's studio, he wipes the dust on the set he has created for the animation film ten years ago -- after his mother passed away in a car accident -- while Lu was about to work at the Universal Studio in Hollywood. He believed that he could at least own a small studio on his family land and operate by himself, to show his capacity to his father. Nothing came out as he planned, his family received notice of compulsory acquisition from the government, he and his father fought for their land, where they've lived for more than three generations, but has been through land acquisition because it’s located right next to the international airport. Tragic seemed to never stop happening to Lu, his father was found suicidal on his farm on a tranquil weekend afternoon. Lu spent most of his time in manifestations and news out of despair, more dust and shades covered his studio and his heart. At the time that people might forget Lu, the once awarded animator with a bright future, a Chinese producer invited him to pitch for his feature to one of the biggest productions in Beijing, but Lu failed because of lacking preparation, script, and crew. He came back to Taiwan trying to found his production, however, another notice of acquisition was sent to him, he is now turning the age of 50. Lu reconsiders to produce a new animated short about his mother’s death, which he has been locked in his memory for years. At the same time, he figures a way to save his family’s land -- to produce a child to inherit his property. He then comes out as a single homosexual, arranges all the procedures by himself, and receives his IVF child in Ukraine during the pandemic. Lu expects to have a baby with blonde and blue eyes, just like the puppet protagonist he created, and maybe they can fight the villains together.

TEASER

PROJECT

INFO

Production status

In Production

Goal

Fundraising / Co-Producer / Distributor / Sales Agent / 2D Animator

Type

Documentary

Format / Length

Digital HD / Color / 80 min

Language

Mandarin, English

Budget

USD 200,000

PROJECT DESCRIPTION

This project started as a documentary short “Animator Kid From Guolin Village” in 2018, and was selected to Taoyuan Documentary Film Program which won Best documentary of the year. Zed, the director, was expecting to see if Lu, the protagonist, could finally accomplish his goal of producing a feature film. It is deeply related to Zed’s personal experience, who is also producing the first feature while becoming a father of a little girl. Both of them used to think of fighting for themselves all alone. Now, it is time to reconsider the meaning of life, and what or whom they put all the efforts to complete their projects for. It is also because the main protagonist, Lu, is an animator, there are some flashback memories of him and his family, so a certain amount of designed animation for this documentary is a visual attempt to demonstrate and combine the reality/imagination and present/past.

DIRECTOR'S NOTE

People say that life is short, you whether devote yourself to what you want to do and go for it, and you’ll reach the goal of you life. I wonder how true is it? Wenchung has worked in animation field for more than 20 years. He set up his goal to make a feature film, and he kept working on it. It seems obvious and reasonable, however, things didn’t go for what he expected. When I first met Wenchung, he was already a successful animator who collected international award titles. He showed me the studio and told me that he would host his premiere screening of “Otto” in his own theater, and I’d be invited. Years and years later, he has been through many obstacle, and still hard to see the end of the journey. He was completely stuck which caused by his personality a lot. He grew up in conservative environment where didn’t allow him to know and identify himself. The talent of drawing became his only weapon to against the discrimination. He always think himself as a fighter, and he turned the idea into the animation characters. In real life, Wenchung had been bullied at school, strike for compulsory purchased, loss of family, failure of finding the resource for his feature film. In Wenchung’s works, There’s always a little boy trying hard to against some superior power. His work is like an Utopia for him to breath, and the contrast between real life and animation is going to be shown in "Stop, Motion".

I personally relate to Wenchung’s situation very much. We have similar grown up and study background, and we share alike scene of aesthetic. I used to think that I was fighting to the world alone as well till my daughter was born, it took me to a different level of life. Maybe we weren’t born to fight, but to learn how to love. To see things in another angle and we can find another side of stories. That is "Stop, Motion" all about.

By Director Zed Wang.

CREATOR'S

PROFILE

Zed Wang

Director

2021 "WHISTLEBLOWER" (Director)

2019 "ANIMATOR KID FROM GUOLIN VILLAGE" (Director)

Taoyuan Documentary Film Program: Best Documentary Award 2019

Zed Wang, who graduated from the School of Motion Picture & Television at Academy of Art University in San Francisco, then returned to Taiwan to work on films as cinematographer in 2011. Some of his cinematography works including "Lonesome Hearts", nominated for the Shanghai International Film Festival International Student’s Award;Zed has started to write and direct shorts and documentaries since 2013. His directorial works include the documentary "A Stop Croaking Toad", and “Animator kid from Guolin Village", which was selected to Taoyuan Documentary Film Program and won First Prize. “Stop, Motion” is his first feature documentary which was selected in CNEX-CCDF 10th edition during development and received CNEX Production Advisory Award in 2019.

Tami Xu

Producer

2021 "XXXMOG!" (Producer)

Golden Harvest Award: Best Film Nomination, 2021

2021 "ON THE WAY" (Producer, Creator, Director)

*Kaohsiung Film Festival VR Film Lab: Funique Best Creative Award, 2020

Tami is a filmmaker and producer who has established her creative works’ styles in Paris & Beijing. Tami has participated in some notable Chinese speaking productions such as “The Shadow Play” (directed by Lou Ye), “Dwelling in the Fuchun Mountain” (directed by Gu Xiao-Gang), “Wild Sparrow” (directed by Shih Li), “When Night Falls” (directed by Ying Liang). She was also selected to Berlinale Talents, Tokyo Talents 2013, Produire au Sud Taipei in 2018, and Kaohsiung VR Film Lab - Project Market in 2020 to pursue a career globally. Most of Tami's projects are focused on humanities and social issues, she is devoted to international co-productions with young filmmakers to promote independent projects.

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